All Claude Lorrain Oil Paintings
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Claude Lorrain Perseus and the Origin of Coral (mk17) oil painting


Perseus and the Origin of Coral (mk17)
Painting ID::  22220 		Artist: Claude Lorrain
Painting: Perseus and the Origin of Coral (mk17)
Introduction: 1674 Pen drawing and wash Heightened with white The Metropolitan Museum of Art,New York 24.8 x 38 cm
   
   
     

 

 

 
 

 

 

 
Claude Lorrain Christ and the Magdalen (mk17) oil painting


Christ and the Magdalen (mk17)
Painting ID::  22221 		Artist: Claude Lorrain
Painting: Christ and the Magdalen (mk17)
Introduction: 1678 Brush drawing,Heightened with white British Museum,London 16.3 x 28.4 cm
   
   
     

 

 

 
 

 

 

 
Claude Lorrain Pastoral Landscape with Piping Shepherd (mk17) oil painting


Pastoral Landscape with Piping Shepherd (mk17)
Painting ID::  22222 		Artist: Claude Lorrain
Painting: Pastoral Landscape with Piping Shepherd (mk17)
Introduction: c 1635 Oil on canvas.Musee des Beaux-Arts,Nancy 49 x 39 cm
   
   
     

 

 

 
 

 

 

 
Claude Lorrain Coastal View (mk17) oil painting


Coastal View (mk17)
Painting ID::  22223 		Artist: Claude Lorrain
Painting: Coastal View (mk17)
Introduction: 1633 Oil on canvas.Collection of the Duke of Buccleuch,Selkirk,Bowhill 97 x 122 cm
   
   
     

 

 

 
 

 

 

 
Claude Lorrain The Finding of the Infant Moses (mk17) oil painting


The Finding of the Infant Moses (mk17)
Painting ID::  22224 		Artist: Claude Lorrain
Painting: The Finding of the Infant Moses (mk17)
Introduction: 1639/40 Oil on canvas.Museo del Prado,Madrid 209 x 138 cm
   
   
     

 

 

 
 

 

 

 
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     Check All Claude Lorrain's Paintings Here!
     French 1600-1682 Claude Lorrain Galleries In Rome, not until the mid-17th century were landscapes deemed fit for serious painting. Northern Europeans, such as the Germans Elsheimer and Brill, had made such views pre-eminent in some of their paintings (as well as Da Vinci in his private drawings or Baldassarre Peruzzi in his decorative frescoes of vedute); but not until Annibale Carracci and his pupil Domenichino do we see landscape become the focus of a canvas by a major Italian artist. Even with the latter two, as with Lorrain, the stated themes of the paintings were mythic or religious. Landscape as a subject was distinctly unclassical and secular. The former quality was not consonant with Renaissance art, which boasted its rivalry with the work of the ancients. The second quality had less public patronage in Counter-Reformation Rome, which prized subjects worthy of "high painting," typically religious or mythic scenes. Pure landscape, like pure still-life or genre painting, reflected an aesthetic viewpoint regarded as lacking in moral seriousness. Rome, the theological and philosophical center of 17th century Italian art, was not quite ready for such a break with tradition. In this matter of the importance of landscape, Lorrain was prescient. Living in a pre-Romantic era, he did not depict those uninhabited panoramas that were to be esteemed in later centuries, such as with Salvatore Rosa. He painted a pastoral world of fields and valleys not distant from castles and towns. If the ocean horizon is represented, it is from the setting of a busy port. Perhaps to feed the public need for paintings with noble themes, his pictures include demigods, heroes and saints, even though his abundant drawings and sketchbooks prove that he was more interested in scenography. Lorrain was described as kind to his pupils and hard-working; keenly observant, but an unlettered man until his death. The painter Joachim von Sandrart is an authority for Claude's life (Academia Artis Pictoriae, 1683); Baldinucci, who obtained information from some of Claude's immediate survivors, relates various incidents to a different effect (Notizie dei professoni del disegno). John Constable described Claude Lorrain as "the most perfect landscape painter the world ever saw", and declared that in Claude??s landscape "all is lovely ?C all amiable ?C all is amenity and repose; the calm sunshine of the heart" . Related Artists to Claude Lorrain : | Osthaus, Edmund Henry | Axel Haig | Cristoforo Munari | Hafiz i Abru | Alonzo Cano |

 

 

 
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